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Slipknot is an American heavy metal band from Des Moines, Iowa, formed in 1995. Slipknot consists of nine members, the current band members are Sid Wilson, Joey Jordison, Paul Gray, Chris Fehn, Jim Root, Craig Jones, Shawn Crahan, Mick Thomson, and Corey Taylor. Each member of the band wears a unique mask.

Slipknot formed in 1995 and underwent several line-up changes following the independent release of their first demo Mate. Feed. Kill. Repeat. in 1996. That album featured original lead vocalist, Anders Colsefini. Their self-titled, major label debut, Slipknot, was released in 1999, featuring permanent new lead vocalist, Corey Taylor, and was followed by Iowa in 2001 and Vol. 3: (The Subliminal Verses) in 2004. On August 25, 2008, the band returned to release their fourth studio album, All Hope Is Gone, which debuted at the top spot on the Billboard 200 charts. The band has released three DVDs, including Disasterpieces, which was certified quadruple-platinum in the United States.

Contents

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History

Early years (1995 – 1998)

Early formations of a band were beginning to coalesce as early as 1992, when the core band members, drummer Shawn Crahan, vocalist Anders Colsefini, and bassist Paul Gray enlisted the help of guitarists Donnie Steele and Quan Nong, and created "Painface".[1]

In September 1995, the band The Pale Ones was created comprising Crahan on drums, Gray on bass, Colsefini on vocals and guitarist Steele.[2] Joey Jordison joined the band shortly after, taking up the role of drummer and, subsequently, Crahan moved to percussion.[3] The band continued to develop their vision of what the band would be, deciding to add a second guitarist, recruiting Josh Brainard and moving Colsefini to percussion along with lead vocals.[4] The band played their first live performance under the name of Meld on December 4, 1995 at a club called Crowbar in Des Moines.[5] Soon after, Jordison suggested renaming the band "Slipknot" after their song that eventually appeared on the band's demo Mate. Feed. Kill. Repeat..[6] The band also began experimenting with their image, wearing grotesque make-up and eventually the anti-image concept developed towards the members wearing masks.[7] Up until this point, the band had remained mainly obscured due to their desire to wait until their music was fully developed.[6]

With plenty of material ready, the band began recording in a local studio, SR Audio with Sean McMahon.[9] In February 1996, guitarist Donnie Steele left the band due to his Christian beliefs; though the other band members were prepared to allow him to stay, Steele decided to leave.[10] His replacement, Craig Jones, arrived during the mixing stages of this new project.[10] On April 4, Slipknot played their first public performance at Des Moines reggae club the Safari, where they played most of their early gigs.[11] Their second gig at the Safari was alongside Stone Sour.[11] The band began to realize again that there was need for a change, as they were adding samples to their recordings but could not produce these sounds live.[12] Subsequently, Jones moved to full-time sampler and Mick Thomson was brought in to fill the space on guitar.[12] After conflict over the mixing and mastering, the band self released their first album Mate. Feed. Kill. Repeat. on Halloween, October 31, 1996.[13]

With the production of this album, Sean McMahon began distributing it between record and management companies, which resulted in airplay on local radio and, in turn, won a spot at Dotfest.[14] Slipknot had returned to the studio having developed new material, which demanded more vocal melody.[8] As a result, Corey Taylor was recruited from fellow Des Moines band Stone Sour; this moved Colsefini to backing vocals and percussion.[8] While experimenting with their new vocalist, the band continued to do shows at the Safari club, during one of which Colsefini surprised his band and fans alike announcing on stage that he was leaving the band.[8] The gap on percussion was filled by Greg Welts, who was affectionately known as "Cuddles".[15] Towards the end of 1997, the band was assigned individual numbers respectively and began wearing uniform coveralls at their shows.[16]

In early 1998, the band created another small demo, which included "Spit It Out".[17] The Slipknot Demo was sent to many record labels and, along with a growing popularity on the Internet and help from their then manager Sophia John, interest grew from record labels and eventually producer Ross Robinson was contacted.[17] The band, which had a strong interest in working with Robinson, met with him and it was then decided they would work together.[18] Soon after, DJ Sid Wilson was brought in to the band after showing great interest and impressing band members.[19] With the acquisition of Ross Robinson, interest grew and the band began getting offers from record labels.[20] On July 6, 1998 Welts was asked to leave the band becoming the first (and only) band member to be ultimately fired from the band.[21] Chris Fehn replaced Welts on percussion and on July 8 they signed to Roadrunner Records.[21][22]

Debut album and commercial success (1998–2001)

In late 1998, Slipknot entered the recording studio to work on their debut album.[24] In the early new year, guitarist Brainard decided to leave the band due to personal reasons.[25] His replacement was Jim Root leaving the band with the line-up they retain.[23] Recording finished in early 1999, with "Me Inside" and "Purity",[26] and the band attended the Ozzfest which began in March.[13] On June 29, 1999, the band released their eponymous album Slipknot.[27] Regarding the album, Rick Anderson of Allmusic wrote "You thought Limp Bizkit was heavy? They're The Osmonds. Slipknot is something else entirely."[27] The band performed in the Livin La Vida Loco tour in support of Slipknot.[28]

Slipknot included variations of previously released songs, including "(sic)"; a version of the previous song "Slipknot". These versions were faster than their previous recordings and this shift in intensity was welcomed by old fans.[23] In the same year, Slipknot released their first home video Welcome to Our Neighborhood (which was later released on DVD in 2003). In early 2000, Slipknot was certified platinum, a first for an album released by Roadrunner Records.[29] In July 2001, Q named Slipknot as one of the "50 Heaviest Albums of All Time".[30]

Iowa and side projects (2001–2003)

After the success of their debut, Slipknot decided to enter the studio again for a second album. By then, the band had created a huge fan base, and the expectations for their follow up album were great. They went back into the studio in early 2001 to work on a new album.[31] Iowa, the band's second album with Roadrunner Records, was released on August 28, 2001. Jason Birchmeier of Allmusic said "It's really all you could ask for in a Slipknot album, and then some",[32] and David Fricke of Rolling Stone called the album "the first great record of the nu metal era."[33] It was also a commercial success, peaking at number three on the Billboard album charts, and at number one on the UK album chart.[34] In mid-2001, the band once again toured with Ozzfest,[13] and performed in the Kill The Industry tour in support of Iowa.[35] The band also appeared in the concert scene of the 2002 movie Rollerball.[36] In the same year, while touring Europe on their European Iowa Tour,[37] the BBC said that Slipknot stole the show and proved entertaining after the band performed at Reading Festival in England.[38] After touring Europe, the band performed at venues in Japan for the Japan Iowa Tour.[39] In the same year, Slipknot released their second visual output with the release of their DVD Disasterpieces.[40]

2002 also saw the first serious musical projects for Slipknot members outside of the band. Lead vocalist Taylor and guitarist Root revived their band Stone Sour with the release of their eponymous debut album Stone Sour.[41] Drummer Jordison also had his own project in which he took up the role of guitarist in the Murderdolls.[42] Slipknot planned to work on a third album towards the end of 2002 but the band was experiencing problems.[43] At this time there was rumours concerning whether the band had split and the possibility of a third album.[23] By mid-2003 Crahan also had a new side project, To My Surprise, in which he worked with producer Rick Rubin.[44]

Vol. 3: (The Subliminal Verses), 9.0 Live, and side projects (2003–2007)

It was the rebirth of Slipknot, you know what I mean it was like... us coming back together, pushing out the vibe that had gotten in there and kinda started pulling people away. But we figured out that you know, we do have to get space you know, we do need to let people be sometimes.

Paul Gray on Slipknot's third album[45]

In late 2003, Slipknot began writing and recording with producer Rick Rubin,[46] who had previously worked with artists such as Johnny Cash, System of a Down, and Slayer.[13][47] Roadrunner Records also announced they would no longer be distributing Slipknot's albums in Scandinavia, due to financial terms. However Slipknot managed to pen a deal with Nuclear Blast Records in early 2003 for the releases in Scandinavia. The band released their third album, Vol. 3: (The Subliminal Verses) on May 24, 2004, which peaked at #2 on the Billboard 200.[48] Johnny Loftus of Allmusic called the album "a satisfying, carefully crafted representation of [the band's] career to date",[49] while Robert Cherry of Rolling Stone said the album "experiments with even newer extremes, which in Slipknot's case means tunefulness and traditional song structures."[50] The title of the album denotes that this is their third album, band members later mentioned that they do not consider Mate. Feed. Kill. Repeat. as an album which reflects the band.[51] In 2004, the band toured on the Ozzfest for a third time,[52] the same year they made their first appearance at Download Festival[53] where Jordison replaced Metallica drummer Lars Ulrich after he was rushed to hospital.[54] In 2005, Slipknot made live appearances without percussionist Crahan—who was supporting his wife during an illness—including their return to Download Festival.[55]


Slipknot in 2005 in Buenos Aires.

Slipknot released their first live album, 9.0: Live which included recordings from shows in Phoenix, Las Vegas, Osaka, Singapore, and Tokyo. The album was released on November 1, 2005 and peaked at #17 on the Billboard 200.[56] In 2006, the band won their first and only Grammy for Best Metal Performance with "Before I Forget".[57] Later that year, Slipknot released their third DVD Voliminal: Inside the Nine.[58]

Several members of the band collaborated with other artists on the Roadrunner United: The All-Star Sessions CD released in October 2005. On the record, Jordison was named a "team captain".[59] Root, Taylor, and Gray also contributed to the album.[60] In 2006, Root and Taylor once again returned with Stone Sour releasing their second album Come What(ever) May.[61] Jordison drummed for several bands while on tour including; Ministry (2006) and Korn (2007).[62][63] He also produced 3 Inches of Blood's third album Fire Up the Blades which was released in early 2007.[64] Later in the year Crahan revealed a new side project, Dirty Little Rabbits.[65]

All Hope Is Gone (2008–2009)

Slipknot released their fourth studio album All Hope Is Gone on August 20, 2008. It is the first Slipknot album to ever peak at number 1 on the Billboard 200.[66][67] The Album has gone on to sell 825,000 copies in the U.S., been awarded a Gold certification, and has spawned 5 singles with the third single Dead Memories charting at #1 on the Hot 100 Mainstream Rock tracks. Preparation for the album started in October 2007 with recording pushed back to February 2008.[68] For this release the band expressed an interest in making it their heaviest album to date with an expansion of the thrash metal riffing introduced on Vol. 3: (The Subliminal Verses).[69] However, they also wanted to make it their most experimental record, and wished to include more acoustic guitars and melodic vocals, as well as introducing hi-hats and cymbals to the additional percussion.[70][71] The album was the band's first work with Dave Fortman as producer.[72] Along with the album, the band debuted "evolved" masks and uniforms, which matched the style of the album.[73] Slipknot headlined the first ever Mayhem Festival festival in July and August 2008.[74] The band was scheduled to play in the Reading and Leeds Festivals in August 2008, but was forced to cancel after drummer Joey Jordison broke his ankle.[75]

Slipknot at 2008's Mayhem Festival.

Slipknot also toured Australia, Japan, Europe and the United Kingdom in the latter months of 2008, with the bands Machine Head and Children of Bodom opening at their concerts.[76] The UK dates were announced on August 20, for an early December tour.[77] Slipknot were also forced to cancel their show in Israel, due to 2 of the members having family problems, it was stated by Corey that the show would be rescheduled to the tour.[78]

For The Download Festival 2009, which is held from June 12-14 at Donington Park in Leicestershire, England, Slipknot was announced to headline the main stage on Saturday. Slipknot have recently finished the All Hope Is Gone World Tour which went on for a whole year, going through numerous countries. Although the tour is finished, Slipknot have announced many more dates for shows they will be playing including CEZ Arena -Ostrava, Czech Republic, Rockwave Festival - Athens, Greece, Eurockeennes Festival - Belfort, France and many more

New albums, current events (2009 onward)

During an interview ahead of the band's debut at Sonisphere in the Netherlands, percussionist Chris Fehn stated that the follow up to All Hope Is Gone is likely to be released in 2010.[80] The band also confirmed a 10th Anniversary Edition re-release of their self-titled debut album which will include all tracks from the original release, as well as several demos, remixes and the track Purity. A new DVD, entitled "Of the (Sic): Your Nightmares, Our Dreams", comprising of footage from 1999-2000 will also be included in the release.[81]

In August 2009, Slipknot won two Kerrang! awards, including best live act. They were also voted best international band.[citation needed] It has been confirmed by Corey that the band will be going on another short break after the All Hope Is Gone World Tour, so he can get back in the studio with Stone Sour also to work on his solo album. On September 17 Clown revealed that he is writing and releasing a book titled The Apocalyptic Nightmare Journey; telling the journey of being in Slipknot, there is no known date when the book will be released. He has also started his own art gallery showings, selling his photographs, paintings, and canvas prints.[82]

Slipknot have a confirmed performance at the first anual Trinity of Terrors halloween celebration which will take place at the Palms Resort and Casino october 31-November 1.[83]

Influences and style

Sid Wilson and Shawn Crahan at a concert in Wisconsin in 2005.

The band have stated that their primary influences include Led Zeppelin, Black Sabbath, Slayer, Judas Priest, Korn, AC/DC, Kiss and Beastie Boys.[84][85][86][87] Death metal, black metal and heavy metal have been mentioned as a key influence on the band's musical direction alongside nu metal, the category the band is generally listed as.[88][89][90][91] They have also stated that they are influenced by industrial bands like Head of David, Godflesh and Skinny Puppy as well as Neurosis and jungle music like Roni Size.[92][93]

Slipknot are seen as pioneers of the New Wave of American Heavy Metal developing a lean and aggressive brand of metal formed from thrash, metalcore and death metal. In this they can be compared with groups such as Pantera, Machine Head, Biohazard, Life of Agony, and Prong and are known for often chaotic and energetic live shows.[94][95][96] The extreme performance style provided by their large line-up featuring a typical heavily down-tuned guitar set-up (lead, rhythm, and bass guitars), two percussionists in addition to the primary drummer, and electronics (samplers and turntables).[97] Robert Cherry of Rolling Stone compared the band's sound to "a threshing machine devouring a military drum corps".[50]

Their early work hosted a diverse range of vocal styles, ranging from rapping to occasional singing to growled vocals.[97] In more recent work, this vocal style remains present, but now includes more melodic singing.[49] The lyrics generally follow a very aggressive tone and feature themes such as darkness, nihilism, anger, disaffection, love, misanthropy and psychosis.[13][49] Rick Anderson of Allmusic regards the group's lyrics as "not generally quotable on a family website".[27] There has been controversy surrounding Slipknot's lyrics, including a case in which a pair of young killers blamed the lyrics from the song "Disasterpiece" for their vicious crime[98] and a case in 2006 in which lyrics from the song "Surfacing" were found at the site of a grave robbing.[99]

Image and identities

It's our way of becoming more intimate with the music. It's a way for us to become unconscious of who we are and what we do outside of music. It's a way for us to kind of crawl inside it and be able to use it.

Corey Taylor on the masks[100]

The band is known for its attention-grabbing image: the members wear matching jumpsuit uniforms, and each one has a unique mask.[13] In the past, their jumpsuits have featured large UPC barcodes printed on the back and sleeves, which are identical and render the same barcode number to the barcode on their first demo, Mate. Feed. Kill. Repeat.[23] Aside from their real names, members of the band are referred to by numbers zero to eight.[13]

With each new album, Slipknot has used new masks and coveralls.[101][102] The masks haven't changed dramatically with the release of their second and third albums, as the masks are more of an extension of what they previously were. Jordison addressed the issue in an interview in 2004, stating that the change in masks are to show growth and difference within age.[103] During the music video and live performances of their single "Vermilion" the band change their respective masks to death masks made from casts of their own faces.[104] Also in 2004, Gray claimed that the special effects company Screaming Mad George made their masks from their third album cycle,[105] and pictures of the band's masks from their second album cycle can be found on the SMG website.[106]

The masks have been subject of much criticism, generally thought of as a gimmick to try sell their product.[107] The band strongly objects to these claims, proclaiming that the masks are used to draw the attention away from themselves and put it on the music.[108] Several members have said how the masks are a visual representation of how the music makes them feel and how they put the members in an animal-like mentality.[45][103] The coveralls and numbers are an extension of the anti-image concept they created with the masks.[23] The integrity of the masks is also a topic of criticism as band members have appeared outside of Slipknot without the masks. The issue has been addressed by most band members. Percussionist Crahan specifically addressed the issue during an interview on The Sauce when discussing the release of their 2006 DVD Voliminal: Inside the Nine, proclaiming that the masks are always going to be part of the Slipknot show.[109]

Purgatory masks

Beginning on April 1, 2008, Slipknot's official website began to display splash teasers to promote All Hope Is Gone. During the process there had been around 18 splash teasers, the first nine displayed the band in their new large masks, however the last seemingly showed dark figures with what seemed like ordinary size heads. During the recording of the video shoot for Psychosocial, the purgatory masks could be seen being burned in the background. An interview with Jim Root revealed that "they represent the ego of that is Slipknot."[110]

Controversy with masks

The band's image has started controversy over the years. A portion of the controversy comes from the band Mushroomhead, who, along with their fans, claim that Slipknot stole their image.[111] In 2005, another source of controversy was the band's lawsuit against Burger King, claiming that company created the advertising based band Coq Roq to capitalize on Slipknot's image.[112] The band's lawyer claimed that Burger King had contacted the band's label to get Slipknot to take part in an "advertising campaign designed to motivate young people to vote".[113] Burger King responded to the suit with a countersuit, and in that suit pointed out that many other bands, such as Mudvayne, Kiss, and Gwar have used masks as part of their image, although after private discussions the advertising campaign was dropped.[112][113]

Band members

Current
Former
  • Donnie Steele – guitars (1995–1996)
  • Anders Colsefini – vocals, custom percussion (1995–1997)
  • Greg "Cuddles" Welts – custom percussion (1997)
  • (#4) Josh Brainard – guitars, backing vocals (1995–1999)

Discography

Senin, 09 November 2009

jump da fuck up






Jumpdafuckup!

Muthafucka you don't understand all my hate!
Muthafucka you don't understand all my rage!
Muthafucka you don't understand all my pain!
Muthafucka you don't understand......

You seem to sever all my frequencies
I'm tethered to your energies
And everything turns inside out
I can't be killed but I'm not too proud.....
Maybe you would like to peak through the curtain
At the same mistake you know you always make, but...
All I really wanna know is
Are you gonna lay the fuck back down
Or jumpdafuckup?

Walking in the streets and looking at all this shit
I'm full of hate, don't fuck with me
Walking in the streets and looking at all this shit
Open up your eyes and fucking see
We got the tribe against society
We got to fight the real enemy
Get the fuck up, stand the fuck up, back the fuck up!

All this is making things a bit insane
And I don't care who stares or stays
The only thing that matters is
Will you reach out if you can't resist?
Maybe you don't give a shit for the rest of us
But if you do the time is now, if it ever was
If you're gonna fight, whatcha gonna do?......
Jumpdafuckup!

Muthafucka you don't understand all my hate!
Muthafucka you don't understand all my rage!
Muthafucka you don't understand all my pain!
Muthafucka you don't understand......

How dare you single out my honesty?
Compare me to your travesties?
I only wanna see you fight
The darkness you wanna live your life by......
And if you're gonna quit
I don't give a shit
What the fuck? I'm a Mack truck
Are you gonna give up like a bitch
Or jumpdafuckup?

Walking in the streets and looking at all this shit
I'm full of hate, don't fuck with me
Walking in the streets and looking at all this shit
Open up your eyes and fucking see
We got the tribe against society
We got to fight the real enemy
Get the fuck up, stand the fuck up
fuck the fuck up

I'm a self-destructive piece of shit
Smear me in
I don't owe you a goddam thing
This life never had the swing
I don't wanna be immortal or legend or anything
Cause the longer I'm alive, the better of you'll be
Get ready for epitome... come on and pity me...
Will you kill me if I say please?

I'm the same old reason not to try
What the hell?
Beat to death with a shovel and a new smell
Come and get me; Mom would never let me do it
I'm ruined, I don't want anything from you
Cause I've got nothing left to prove, come on
My time, everything feels fine, goodbye
Killing from the inside

spit it out

Since you never gave a damn in the first place,
Maybe it's time you had the tables turned
'Cause in the interest of all involved I got the problem solved
And the verdict is guilty...

...MAN NEARLY KILLED ME
Steppin' where you fear to tread
Stop, drop and roll
You were dead from the git-go!
Big mouthfucker, stupid cocksucker
And if you're scared of me now, then you're dumber than I thought
Always is, and never was
Foundation made of piss and vinegar
Step to me, I'll smear ya
Think I fear ya? Bullshit!
Just another dumb punk chompin' at this tit
Is there any way to break through the noise?
Was it something that I said that got you bent?
Gotta be that way if you want it
Sanity, literal profanity hit me!


"Spit it out
All you wanna do is drag me down
All I wanna do is stamp you out" (x2)

Maybe it's the way you gotta spread a lotta rumor fodder
Keepin' all your little spies and leaving when you realize
Step up, fairy
I guess it's time to bury your ass with the chrome
Straight to the dome
You heard me right, bitch, I didn't stutter
And if you know what's good, just shut up and beg, brother
Backstab - don't you know who you're dissin'?
Side swipe,we know the Ass that your kissin'
Bigity-biggidy bitch boy, halfway hauser
Don't hear shit cuz It keeps gettin' louder
Come on, and get a face full 'o tactic
Lipping off hard, going home in a basket
You got no pull, no power, no nothin
Now you start shit?
Well, ain't that something?
Payoffs don't protect, and you can hide if you want
But I'll find you, comin' up behind you!

Spit it out
All you wanna do is drag me down
All I wanna do is stamp you out (x2)

'Bout time I set this record straight
All the needlenose punchin' is making me irate
Sick o' my bitchin' fallin' on deaf ears
Where you gonna be in the next five years?
The crew and all the fools, and all the politix
Get your lips ready, gonna gag, gonna make you sick
You got dick when they passed out that good stuff
BAM!
Are you sick of me?
Good enough, had enough!

"Fuck me! I'm all out of enemies!" (x7)
"Fuck me! I'm all out of enemas!"

"Spit it out
All you wanna do is drag me down
All I wanna do is stamp you out" (x2)

"Spit!" (x4)
Spit... it out!

the mathematics anthem

8...6...7...3.... Uh.... Umm...2...5...4...1!

YEAH!

I'm a failing student and I don't get it yet.
Got a super bad mark and got hit on the head.
I don't wanna be a winner; I just wanna eat my dinner
I'm just a retard, a homework neglecter.
A hideous fag that you don't understand
assign a worksheet and I'm guaranteed to fuckin snap
can't concentrate, it's too much.
Equations, problem solving, a geek isn't what I wanna be

222 plus 555, equals 666
444 plus 555, equals 666
Nope! It's 111 plus 555 equals 666!!!
[What's it like to be bad at mathematics?]
111 plus 555 equals 666!!!
[What's it like to be bad at mathematics?!]

Everybody's so intelligent!
Everybody's so completely sure what the answers are
while everybody calculates I'm miles away
got a blank face
"solve: (5x133)+1"... I don't know what to say
I cant do this! it may look easy to you
But it's hard for me, I wish that I knew
but I don't cause I cant do the math, I got
a D- on my test which is fine because I gave it my best shot!

222 plus 555, equals 666
444 plus 555, equals 666
Nope! It's 111 plus 555 equals 666!!!
[What's it like to be bad at mathematics?]
111 plus 555 equals 666!!!
[What's it like to be bad at mathematics?!]

YEAH!

I... Hate... MATHEMATICS!

YEAH!

30 questions... "16, 8, 4, find the pattern." WHY!?!?
I haven't the slightest, I�m not the brightest
they're listening, calculating
all the math in the world doesn�t make sense to me
go ahead, lie to me
tell me again how I'm not retarded
I wanna know why you keep telling me I'm not, well,
That's just bullshit...
I'm.. Just...mentally challenged...yeah.. That's it!

333 plus 555, equals 666
555 plus 555, equals 666
Nope! It's 111 plus 555 equals 666!
[What's it like to be bad at mathematics?]
000 plus 555 equals 666!!!
[What's it like to be bad at...]
MATHEMATICS!

vermillion

She seems dressed in all the rings
Of past fatalities
So fragile yet so devious
She continues to see it
Climatic hands that press
Her temples and my chest
Enter the night that she came home
Forever

Oh (She's the only one that makes me sad)

She is everything and more
The solemn hypnotic
My Dahlia bathed in possession
She is home to me

I get nervous, perverse, when I see her it's worse
But the stress is astounding
It's now or never she's coming home
Forever

Oh (She's the only one that makes me sad)

Hard to say what caught my attention
Fixed and crazy, Aphid attraction
Carve my name in my face, to recognize
Such a pheromone cult to terrorize

I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me

(Yeah!)

(oh-oh)
I'm a slave, and I am a master
No restraints and, unchecked collectors
I exist through my need, to self oblige
She is something in me, that I despise

I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me

I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me
I won't let this build up inside of me

SHE ISN'T REAL!
I CAN'T MAKE HER REAL!
SHE ISN'T REAL!
I CAN'T MAKE HER REAL!

She isn't real (She isn't real)
I can't make her real (can't make her real)
She isn't real (She isn't real)
I can't make her real (can't make her real)

psychosocial

I did my time and I want out
So effusive - Fade - It doesn't cut
The soul is not so vibrant
The reckoning - The sickening
Packaging subversion
Pseudo sacrosanct perversion
Go drill your deserts - Go dig your graves
Then fill your mouth with all the money you will save
Sinking in - getting smaller again
I'm Done! It has begun - I'm not the only one!

[Chorus:]
And the rain will kill us all...
We throw ourselves against the wall
But no one else can see
The preservation of the martyr in me

Psychosocial!(x3, brief, pause, then repeat again x3)

There are cracks in the road we laid
But where the temple fell
The secrets have gone mad
This is nothing new, but when we killed it all
The hate was all we had
Who needs another mess?
We could start over
Just look me in the eyes and say I'm wrong
Now theres only emptiness
Vernomus insipid,
I think we're done - I'm not the only one!

[Chorus]

Psychosocial!(x3, brief, pause, then repeat again x3)

The limits of the dead! (x4)


Fake anti- Fascist lie
I tried to tell you but
Your purple hearts are giving out
Can't stop a killing idea
If it's hunting season
Is this what you want?
I'm not the only one!

[Chorus] (x2)



The limits of the dead! (x2)

slipknot

Slipknot-photo
Slipknot's mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and
rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late '90s. But even more helpful was their theatrical, attention-grabbing (some critics said ridiculous) image: the band always performed in identical industrial jump suits and homemade Halloween masks, and added to its mysterious anonymity by adopting the numbers zero through eight as stage aliases. Add to that a lyrical preoccupation with darkness and nihilism, and an affectionately insulting name for their fans ("Maggots"), and Slipknot's blueprint for nu-metal success was set.


Slipknot were formed in late 1995 in the unlikely locale of Des Moines, IA; after some early personnel shifts, the nine-piece lineup settled around (in order from number zero to number eight): DJ Sid Wilson, drummer Joey Jordison, bassist Paul Grey, percussionist Chris Fehn, guitarist James Root, sampler/programmer Craig Jones, percussionist Shawn "Clown" Crahan, guitarist Mick Thompson, and lead vocalist Corey Taylor. The music scene in Des Moines wasn't much to speak of, and the band's big-time ambition was usually met with disbelief and ridicule, which provided the initial spark for its mostly anonymous stage visuals. On Halloween 1996, Slipknot self-released an album called Mate. Feed. Kill. Repeat., which began to build a buzz around the group once it found its way to several labels. It was picked up for distribution by the Nebraska-based -ismist label, and also caught the attention of Roadrunner Records, which signed Slipknot in 1997. Working with producer Ross Robinson, Slipknot recorded their official, self-titled debut album, which was released in 1999. They gradually built an audience through near-constant touring, working their way up to the summer Ozzfest package tour, which really expanded their audience. Their live shows were a much-discussed hit with metal fans, and the band performed with such energy that Crahan gashed his head open on his own drum kit twice that summer, requiring stitches both times. The tracks "Wait and Bleed" and "Spit It Out" got the band some airplay, but most of the buzz came from touring and word of mouth. Finally, in the spring of 2000, Slipknot was certified platinum; the first such album in Roadrunner's history.

The anticipation for Slipknot's follow-up was intense, and many industry observers predicted that it would debut at number one; however, faced with some stiff competition that week, the band's sophomore effort, Iowa, bowed at number three upon its release in 2001. More heavy touring followed, including another, more prominent slot on that summer's Ozzfest. After a long spell on the road, Slipknot took a break while the members worked on side projects. The band set up its own label, Maggot Recordings, and signed a band called Downthesun, whose lead singer had served as Crahan's drum technician. Wilson, meanwhile, began DJing solo under the name DJ Starscream, and Root and Thompson both worked on solo material. Drummer Jordison worked with a side group called the Rejects, where he'd actually served for quite some time as guitarist. Taylor, meanwhile, started a side band called Superego, and also contributed a solo song, "Bother," to the soundtrack of the 2002 blockbuster Spider-Man. That May, the band got some amusing press when some of its fans discovered the website of a British crocheting group also called "Slipknot," and flooded the members' in-boxes with excessively rude e-mails. Guitarist Joey Jordison and Static-X guitarist Tripp Eisen teamed that summer for the Murderdolls project, while Taylor reformed his old band Stone Sour and released an album. By the winter, Slipknot had still not reunited and Taylor wrote a commentary on the band's website stating that they had not spoken in months, and that they'd rather break up than become "the next Gwar". The statement sparked a quickly resolved minifeud between Taylor and Gwar frontman Oderus Urungus. but it also sent many of the Maggots into a tailspin. By early 2003, Taylor had retracted his comments, and announced plans for a new Slipknot album. By August, the entire squad had decamped Iowa for LA, where they began work on the new record with famously bearded producer Rick Rubin. "Pulse of the Maggots" appeared in early 2004 as an exclusive download; it was followed by a full track listing for Vol. 3: [The Subliminal Verses], which was slated for a May release. Slipknot then embarked on a brief tour as a warm-up for their dates headlining Ozzfest that summer. The group also debuted a fully-redesigned third generation of their famous masks. On May 25th, the Subliminal Verses finally dropped, to the usual clamor of great fanfare and furious anger. ~ Steve Huey, All Music Guide.